Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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MELeNDEZ, Luis
Portrait of the Artist g

ID: 08170

MELeNDEZ, Luis Portrait of the Artist g
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MELeNDEZ, Luis Portrait of the Artist g


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MELeNDEZ, Luis

Spanish Painter, 1716-1780   Related Paintings of MELeNDEZ, Luis :. | Still-Life with Oranges and Walnuts | Style life with figs | Still-Life with Fruit and a Jar | Cucumber and tomatoes | Still-life with Melon and Pears sg |
Related Artists:
Christian Georg Schutz the Elder
painted Gebirgslandschaft in 1773
Eugene Delacroix
French Romantic Painter, 1798-1863 For 40 years Eugene Delacroix was one of the most prominent and controversial painters in France. Although the intense emotional expressiveness of his work placed the artist squarely in the midst of the general romantic outpouring of European art, he always remained an individual phenomenon and did not create a school. As a personality and as a painter, he was admired by the impressionists, postimpressionists, and symbolists who came after him. Born on April 28, 1798, at Charenton-Saint-Maurice, the son of an important public official, Delacroix grew up in comfortable upper-middle-class circumstances in spite of the troubled times. He received a good classical education at the Lycee Imperial. He entered the studio of Pierre Narcisse Guerin in 1815, where he met Theodore Gericaul
Marco Marziale
Italian Painter, active ca.1492-1507,Italian painter. He was first recorded in 1492 as one of several assistants to Giovanni Bellini in the Doge's Palace in Venice; in an inscription on his earliest known work, a damaged Virgin and Child with Saints and a Donor (1495; Zadar, St Mary, Treasury), he called himself a pupil of Gentile Bellini. Visual confirmation of his close association with both Bellini brothers is provided by the rather large number of his signed and dated works, many of which are closely based on compositional motifs by Giovanni, but which in their linearity and angularity more closely resemble the style of Gentile. The influence of German art, and of Derer in particular, has often been noted in the sharply focused and densely packed details, the harsh modelling and the expressive ugliness found in much of Marziale's work.






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